Abstract

By critically reconstructing the reflection about crisis, art and scientific rationality in the so-called last miscellaneous notebooks that Antonio Gramsci began in prison, the Author in the present article argues that neo-humanistic character of the philosophy of praxis does not entail neither anti-naturalism (or non-naturalism) nor reduction of the social relations to inter-subjective relations, as the critical literature has often claimed, but rather the redefinition of the relationship between «individual» and «collective», «human» and «natural», in terms of a mutual immanence.