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Articles - Textus - number : 2, May-August 2018

10.7370/91004: "Introduction: Performing Narrative across Media", C. Maria Laudando, Márta Minier, Details, FullText
10.7370/91005: "Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre", Márta Minier, Details, FullText
10.7370/91006: "Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance", R. Lyle Skains, Details, FullText
10.7370/91007: "From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show", Pierpaolo Martino, Details, FullText
10.7370/91008: "Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach", Rosemary Kay, Details, FullText
10.7370/91009: "Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling", Alessandra Ruggiero, Details, FullText
10.7370/91010: "What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'", Lucia Esposito, Details, FullText
10.7370/91011: "Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information", Sara Soncini, Details, FullText
10.7370/91012: "Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries", Mariacristina Cavecchi, Details, FullText
10.7370/91013: "'Talking Pictures': Digital Storytelling and Performance in Heritage Communication", Silvia Pireddu, Details, FullText
10.7370/91014: "Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity", Francesco Cattani, Details, FullText
10.7370/91015: "Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative", Anna Maria Cimitile, Details, FullText
10.7370/91016: "Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading", C. Maria Laudando, Details, FullText