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Articles - Strumenti critici - number : 2, May-August 2024

10.1419/114072: "Pound and «The Waste Land»", Piero Boitani, Details, FullText
10.1419/114073: "Searching for Shakespearean Echoes", Nadia Fusini, Details, FullText
10.1419/114074: "The Wagnerian Land. Notes on the Role of Wagner’s Music in the Composition of «The Waste Land»", Stefano Catucci, Details, FullText
10.1419/114075: "1922: The Annus Mirabilis of Anglophone Modernism", Iolanda Plescia, Details, FullText
10.1419/114076: "«The Waste Land» and Modern Art: Perspectives", Tomaso Montanari, Details, FullText
10.1419/114077: "Emilia Di Rocco, Tiresias at the Violet Hour", Emilia di Rocco, Details, FullText
10.1419/114078: "Unreal City: A Few Remarks", Alessandro Fabrizi, Francesca Forlini, Details, FullText
10.1419/114079: "Amelia Rosselli’s letters to Mario Trevi (1956-1960). With one letter from Trevi to Amelia and two letters between Trevi and John Rosselli", Matilde Manara, Details, FullText
10.1419/114080: "An Anthology of Gianfranco Contini’s Critical Writings", Stefano Carrai, Details, FullText
10.1419/114081: "«History» that Needs to be Historicized. Some Considerations for a New Edition of Umberto Saba’s «Storia e cronistoria del Canzoniere»", Giordano Castellani, Details, FullText
10.1419/114082: "The Dantesque Legacy in «Les Apparus dans mes chemins»", Jean Robaey, Details, FullText
10.1419/114083: "Franco Marucci, George Eliot’s «The Lifted Veil»: A Sequential and Contextual Reading", Riccardo Antonangeli, Details, FullText
10.1419/114084: "Notizie sui collaboratori", , Details, FullText