Cinéma & Cie International Film Studies Journal Most downloaded articles in the last 2 months Simone Venturini Introduction in "Cinéma & Cie", 1 - 2/2011 pp. 9-14, DOI: 10.7372/70231 Details Cite Gunhild Agger Nordic Noir on Television: The Killing I-III in "Cinéma & Cie", 2/2012 pp. 39-50, DOI: 10.7372/73932 Details Cite Marie Frappat Introduction in "Cinéma & Cie", 2/2009 pp. 9-, DOI: 10.7372/71066 Details Cite Giusy Pisano Eppur si muove ! Le mouvement dessiné et photographié in "Cinéma & Cie", 1 - 2/2010 pp. 21-, DOI: 10.7372/71045 Details Cite Charles O'Brien Camera Distance and Max Linder at Pathé-Frères in "Cinéma & Cie", 2/2013 pp. 49-58, DOI: 10.7372/81545 Details Cite Cem PekmanSelin Tüzün Turkish Television Dramas: The Economy and Beyond in "Cinéma & Cie", 2/2012 pp. 93-104, DOI: 10.7372/73936 Details Cite Philippe Fauvel Le Château de Pointilly (1972) et Pointilly (2006) d?Adolfo Arrieta: un film réduit de moitié par son auteur trente-cinq ans après in "Cinéma & Cie", 2/2009 pp. 67-, DOI: 10.7372/71074 Details Cite Claudio Bisoni CINEMA WITHIN THE AESTHETIC RELATION: FILM STUDIES AND GÉRARD GENETTE’S ART THEORY in "Cinéma & Cie", 1/2012 pp. 91-, DOI: 10.7372/70983 Details Cite Francesco Di Chiara Intermediality in the 1950s Italian Film Industry: The Case of the Titanus’ Film-Canzone in "Cinéma & Cie", 1 - 2/2011 pp. 147-152, DOI: 10.7372/70248 Details Cite Marco Grosoli The Sin of Repetition in "Cinéma & Cie", 1 - 2/2011 pp. 121-131, DOI: 10.7372/70245 Details Cite Klaas de Zwaan Pre-Archival Practices. A Genealogy of the Film Archive in The Netherlands (1910-1919) in "Cinéma & Cie", 1 - 2/2011 pp. 23-28, DOI: 10.7372/70233 Details Cite Jean-Pierre Sirois-Trahan Les relations entre Pathé et Méliès : aux sources du cinéma industriel et du cinéma indépendant (1908-1913) in "Cinéma & Cie", 2/2013 pp. 95-106, DOI: 10.7372/81550 Details Cite André GaudreaultPhilippe Gauthier Le montage alterné chez Pathé : coupe d'ordre actoriel et coupe d'ordre narratoriel in "Cinéma & Cie", 2/2013 pp. 67-74, DOI: 10.7372/81547 Details Cite Veronica Innocenti Introduction in "Cinéma & Cie", 2/2012 pp. 9-14, DOI: 10.7372/73929 Details Cite Julia Noordegraaf From the Archive to the Gallery. Displacing Colonial Footage in the Work of Fiona Tan in "Cinéma & Cie", 1/2008 pp. 105-, DOI: 10.7372/71116 Details Cite Adriano D'Aloia Virtual Screens. The Relocation of Cinema in Second Life in "Cinéma & Cie", 2/2008 pp. 49-, DOI: 10.7372/71100 Details Cite Sandra Lischi Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video in "Cinéma & Cie", 2/2008 pp. 23-, DOI: 10.7372/71097 Details Cite Pip Chodorov L'Avant-Gehr in "Cinéma & Cie", 1/2009 pp. 111-, DOI: 10.7372/71090 Details Cite Ariane Noël de Tilly Recent Surveys on the Projected Image: A Look at Different Interpretations in "Cinéma & Cie", 1/2009 pp. 71-, DOI: 10.7372/71086 Details Cite Vari Projects & Abstracts in "Cinéma & Cie", 2/2009 pp. 109-, DOI: 10.7372/71077 Details Cite
Simone Venturini Introduction in "Cinéma & Cie", 1 - 2/2011 pp. 9-14, DOI: 10.7372/70231 Details Cite
Gunhild Agger Nordic Noir on Television: The Killing I-III in "Cinéma & Cie", 2/2012 pp. 39-50, DOI: 10.7372/73932 Details Cite
Giusy Pisano Eppur si muove ! Le mouvement dessiné et photographié in "Cinéma & Cie", 1 - 2/2010 pp. 21-, DOI: 10.7372/71045 Details Cite
Charles O'Brien Camera Distance and Max Linder at Pathé-Frères in "Cinéma & Cie", 2/2013 pp. 49-58, DOI: 10.7372/81545 Details Cite
Cem PekmanSelin Tüzün Turkish Television Dramas: The Economy and Beyond in "Cinéma & Cie", 2/2012 pp. 93-104, DOI: 10.7372/73936 Details Cite
Philippe Fauvel Le Château de Pointilly (1972) et Pointilly (2006) d?Adolfo Arrieta: un film réduit de moitié par son auteur trente-cinq ans après in "Cinéma & Cie", 2/2009 pp. 67-, DOI: 10.7372/71074 Details Cite
Claudio Bisoni CINEMA WITHIN THE AESTHETIC RELATION: FILM STUDIES AND GÉRARD GENETTE’S ART THEORY in "Cinéma & Cie", 1/2012 pp. 91-, DOI: 10.7372/70983 Details Cite
Francesco Di Chiara Intermediality in the 1950s Italian Film Industry: The Case of the Titanus’ Film-Canzone in "Cinéma & Cie", 1 - 2/2011 pp. 147-152, DOI: 10.7372/70248 Details Cite
Marco Grosoli The Sin of Repetition in "Cinéma & Cie", 1 - 2/2011 pp. 121-131, DOI: 10.7372/70245 Details Cite
Klaas de Zwaan Pre-Archival Practices. A Genealogy of the Film Archive in The Netherlands (1910-1919) in "Cinéma & Cie", 1 - 2/2011 pp. 23-28, DOI: 10.7372/70233 Details Cite
Jean-Pierre Sirois-Trahan Les relations entre Pathé et Méliès : aux sources du cinéma industriel et du cinéma indépendant (1908-1913) in "Cinéma & Cie", 2/2013 pp. 95-106, DOI: 10.7372/81550 Details Cite
André GaudreaultPhilippe Gauthier Le montage alterné chez Pathé : coupe d'ordre actoriel et coupe d'ordre narratoriel in "Cinéma & Cie", 2/2013 pp. 67-74, DOI: 10.7372/81547 Details Cite
Julia Noordegraaf From the Archive to the Gallery. Displacing Colonial Footage in the Work of Fiona Tan in "Cinéma & Cie", 1/2008 pp. 105-, DOI: 10.7372/71116 Details Cite
Adriano D'Aloia Virtual Screens. The Relocation of Cinema in Second Life in "Cinéma & Cie", 2/2008 pp. 49-, DOI: 10.7372/71100 Details Cite
Sandra Lischi Site Specific, Placeless. Reflections on the Relocation of Cinema Onto Video in "Cinéma & Cie", 2/2008 pp. 23-, DOI: 10.7372/71097 Details Cite
Ariane Noël de Tilly Recent Surveys on the Projected Image: A Look at Different Interpretations in "Cinéma & Cie", 1/2009 pp. 71-, DOI: 10.7372/71086 Details Cite
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