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Articles - L'avventura - number : 1, January-June 2016
10.17397/84228
"Filming the painting. Piero della Francesca's Madonna del Parto through the lenses of Valerio Zurlini and Andrej Tarkovskij",
Achille Castaldo
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10.17397/84229
"«Director in Boots». The Posture of Alessandro Blasetti",
Fabio Andreazza
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10.17397/84230
"Antonioni's (Neo-)Avant-Garde. Visual Sources for L'eclisse (1962)",
Matteo Billeri
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10.17397/84231
"Intertextual Relationships in Renzo e Luciana: From Calvino to Monicelli",
Andrea Baldi
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10.17397/84232
"The Politicization of Experimental film. The Role of Cinegufs and Luciano Emmer's «Dolomiti Film» in the Production of Il Covo (1941)",
Andrea Mariani
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10.17397/84233
"Identifying Spaces: on the Feminine and Masculine in Popular Cinema in the Fifties and Sixties",
Mariapia Comand, Federica Villa
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10.17397/84234
"«Cured of Homosexuality». Research Assessment and Validation in Italian Film and Media Studies",
Giacomo Manzoli
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10.17397/84235
"From Neo to New Realism. The Films of Nanni Moretti",
Rocco Giansante
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10.17397/84236
"The cinema of pleasure: the gaze as a political factor, from Fellini to Sorrentino",
Guido Mori
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10.17397/84237
"Film on paper. Un Paese by Strand and Zavattini",
Stefania Parigi
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