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Articles - Strumenti critici - number : 3, September-December 2023

10.1419/108796: "Premessa", , Details, FullText
10.1419/108797: "Nota dei curatori", , Details, FullText
10.1419/108798: "The “Multipliedµ Eye", Clelia Martignoni, Details, FullText
10.1419/108799: "Deformation and Semblance: Theory and Figures of Time in Gadda", Giuseppe Bonifacino, Details, FullText
10.1419/108800: "«Dentro a macchina»: The Interventionism of the Gadda Brothers", Giulia Fanfani, Details, FullText
10.1419/108801: "More on Gadda’s Library", Milena Giuffrida, Details, FullText
10.1419/108802: "The Conceptualization of Landscape in Gadda’s «Meditazione milanese »", Giulia Perosa, Details, FullText
10.1419/108803: "The Fable and the Instant: Gadda and the Narrative “Paceµ (Introductory Notes)", Riccardo Stracuzzi, Details, FullText
10.1419/108804: "On the Notes of «L’Adalgisa»: Between Self-Commentary, Memory and Extratextuality", Luca Mazzocchi, Details, FullText
10.1419/108805: "Double Echolalia: On the Satire of «Eros e Priapo»", Serena Vandi, Details, FullText
10.1419/108806: "Gadda and the Review: The Collaboration with «Il Mondo» (1945-1946)", Giorgia Ghersi, Details, FullText
10.1419/108807: "Gadda’s Intention", Valentino Baldi, Details, FullText
10.1419/108808: "Archeology with Sharks: Debris of the Great War in «Quer pasticciaccio brutto de via Merulana»", Andrea Cortellessa, Details, FullText
10.1419/108809: "Notizie sui collaboratori", , Details, FullText
10.1419/108810: "Tavola delle sigle", , Details, FullText