Giuseppe Bonifacino

Deformation and Semblance: Theory and Figures of Time in Gadda

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In light of Carlo Emilio Gadda’s theoretical observations on reality as a polarity of ever-changing elements of which time can be considered a “semblanceµ, the article dwells on some aspects and images of temporality in Gadda’s narrative, examining some of the related thematical implications and semantic inflections


  • Polarity
  • Deformation
  • Semblance
  • Time
  • Pain


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