Marco Solaroli

Sonic wars? The use of sound as a means of conflict

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Abstract

This review essay investigates the relationships between sound and conflict by focusing on the different ways in which the sonic public sphere has been historically involved in a process of increasing militarization. By analyzing three recent and major works on this subject, the essay reconstructs a variety of politics and practices of using sounds as means of psycho-sensorial incitation, aggression or control, ad the violent effects of sound on the symbolic, physical and affective dimensions of human bodies. Finally, the essay highlights a few paths that might be further explored in future research on the space-sensorial logistics of sonic production and perception and on the bio-political power of shaping the sonic environment within increasing urban surveillance and the so-called war on global terror.

Keywords

  • sonic warfare
  • conflict
  • sensorial perception
  • urban control
  • bio-political power

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