Tomaso Montanari

«The Waste Land» and Modern Art: Perspectives

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Abstract

By exploring the connection between Eliot’s poem and Western figurative tradition as experienced by Modernism, the article discusses the fragmented and intentionally broken nature of images in the poem, drawing parallels to the collage technique used by artists such as Braque and Picasso. The article delves into the challenge of identifying precise figurative references in The Waste Land and explores various interpretations and associations

Keywords

  • Eliot
  • Modernism
  • Art

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