Abstract

Major museum establishments in the world have launched immersive exhibitions. Such is the case of RMN-GP in France. This is an important initiative, but one that raises a number of questions regarding many, different sides: do the immersive technologies modify the museums economic model and to what extent? are the technologies private players subjects of a new production chain of creative and cultural industries? and if which is their relations with the existents? are new publics growing up at national and world levels?