• Federica Piana

• A «Scandalously Respectable» Diva. The Autobiography of Silvana Pampanini

• in "L'avventura", 1/2021
• pp. 107-126, DOI: 10.17397/101280
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• Referee 2018

• in "L'avventura", 2/2018
• pp. 343-344, DOI: 10.17397/91656
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• Referee 2016

• in "L'avventura", 2/2016
• pp. 433-434, DOI: 10.17397/85732
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• Referee 2017

• in "L'avventura", 2/2017
• pp. 299-299, DOI: 10.17397/88395
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• Giulia Simi

• «The Coincidence of Being». Patrizia Vicinelli’s Errant Subjects between Poetry and Experimental Cinema

• in "L'avventura", 2/2020
• pp. 259-275, DOI: 10.17397/98969
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• € 8,00
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• Nicola Stefani

• Traces of Storyboarding. Francesco Rosi's La sfida

• in "L'avventura", 2/2016
• pp. 213-230, DOI: 10.17397/85721
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• € 8,00
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• Lorenzo DenicolaiElisa Farinacci

• I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media

• in "L'avventura", Speciale/2020
• pp. 145-165, DOI: 10.17397/98984
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• € 8,00
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• Emilio Audissino

• A Matter of Form, Style, and Monsters. A Comparative Analysis of Reazione a catena and Friday the 13th

• in "L'avventura", 1/2020
• pp. 3-22, DOI: 10.17397/97432
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• € 8,00
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• Mariapia ComandFederica Villa

• Identifying Spaces: on the Feminine and Masculine in Popular Cinema in the Fifties and Sixties

• in "L'avventura", 1/2016
• pp. 103-122, DOI: 10.17397/84233
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• € 8,00
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• Emily Meneghin

• SKAM and SKAM Italia Adapting a Transmedia Format Across a Transnational Media and Cultural Landscape

• in "L'avventura", 1/2021
• pp. 141-154, DOI: 10.17397/101282
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• Lucia Cardone

• Non-returnable bodies: La ragazza in vetrina by Luciano Emmer

• in "L'avventura", 2/2019
• pp. 135-154, DOI: 10.17397/95214
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• € 8,00
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• Tomaso Subini

• Catholics and Religious Cinema in Italy between the '40s and the '70s

• in "L'avventura", 1/2017
• pp. 17-34, DOI: 10.17397/87187
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• € 8,00
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• Stefano Adamo

• Victims Consigned to Memory. Placido Rizzotto, I cento passi and a Different Perspective on Mafia Films

• in "L'avventura", 2/2015
• pp. 247-264, DOI: 10.17397/82527
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• € 8,00
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• Chiara Tognolotti

• Women's Bodies. Declinations of Excessiveness in Stefania Sandrelli's Acting

• in "L'avventura", 1/2018
• pp. 125-146, DOI: 10.17397/90652
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• € 8,00
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• Luca Bandirali

• The Worst of Youth: 1992 within the Framework of «Complex» Italian TV

• in "L'avventura", 1/2017
• pp. 129-143, DOI: 10.17397/87193
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• € 8,00
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• Raffaele De Berti

• Europa di notte. The Revue Show in the Italy of the Economic Boom

• in "L'avventura", 2/2016
• pp. 337-356, DOI: 10.17397/85727
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• € 8,00
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• Stefania Parigi

• Film on paper. Un Paese by Strand and Zavattini

• in "L'avventura", 1/2016
• pp. 171-195, DOI: 10.17397/84237
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• € 8,00
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• Giulia Aromando

• Deploying the Strength of the Nation. Francesco Felicetti and the Ceremonial Representations of the Savoys in Sardinia in 1899

• in "L'avventura", 2/2020
• pp. 301-317, DOI: 10.17397/98971
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• € 8,00
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• Maria Teresa Soldani

• The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992

• in "L'avventura", 2/2019
• pp. 211-226, DOI: 10.17397/95219
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• € 8,00
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• Gabriele Landrini

• Popular Magazines and Cinema on Paper. A Study of Franco Bozzesi's Cineromanzi

• in "L'avventura", 2/2018
• pp. 243-256, DOI: 10.17397/91650
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• € 8,00
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