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• Referee 2016

• in "L'avventura", 2/2016
• pp. 433-434, DOI: 10.17397/85732
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• Referee 2018

• in "L'avventura", 2/2018
• pp. 343-344, DOI: 10.17397/91656
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• Referee 2017

• in "L'avventura", 2/2017
• pp. 299-299, DOI: 10.17397/88395
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• Maria Teresa Soldani

• The Birth of a Museum for Contemporary Arts: The Case of Centro Pecci, 1986-1992

• in "L'avventura", 2/2019
• pp. 211-226, DOI: 10.17397/95219
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• € 8,00
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• Lorenzo DenicolaiElisa Farinacci

• I’ll Tell You with a Video: Audiovisual Languages on Daily-use Social Media

• in "L'avventura", Speciale/2020
• pp. 145-165, DOI: 10.17397/98984
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• Guglielmo PescatoreMarta Rocchi

• Gomorra: La serie, The Realism Formula

• in "L'avventura", Speciale/2020
• pp. 87-108, DOI: 10.17397/98980
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• Rolf Johannessen

• Space and Reality in the Cinematic City. Matteo Garrone’s Early Cinema and Dogman

• in "L'avventura", Speciale/2020
• pp. 55-68, DOI: 10.17397/98977
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• Metello Mugnai

• Recycled, Reusable, and Polluting. Discard Narratives in Emanuele Crialese’s Terraferma

• in "L'avventura", 2/2019
• pp. 269-281, DOI: 10.17397/95222
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• Raffaele De Berti

• Europa di notte. The Revue Show in the Italy of the Economic Boom

• in "L'avventura", 2/2016
• pp. 337-356, DOI: 10.17397/85727
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• € 8,00
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• Francesco Di ChiaraPaolo Noto

• The Italian Code: Preventive Censorship and Self-Censorship 1944-1962

• in "L'avventura", 1/2020
• pp. 87-103, DOI: 10.17397/97436
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• Stefania Parigi

• Film on paper. Un Paese by Strand and Zavattini

• in "L'avventura", 1/2016
• pp. 171-195, DOI: 10.17397/84237
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• € 8,00
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• Matteo Billeri

• Antonioni's (Neo-)Avant-Garde. Visual Sources for L'eclisse (1962)

• in "L'avventura", 1/2016
• pp. 39-56, DOI: 10.17397/84230
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• € 8,00
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• Giancarlo Lombardi

• Of Genius and Brilliance. Notes on the Adaptation of Elena Ferrante’s L’amore molesto and L’amica geniale

• in "L'avventura", Speciale/2020
• pp. 131-144, DOI: 10.17397/98983
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• Luigi Storto

• Visual Journeys Between Fairytale, History and Memory: The Films of Pietro Marcello

• in "L'avventura", Speciale/2020
• pp. 81-95, DOI: 10.17397/98979
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• Glenda Furini

• Photography as Source for Studying the Development of the Italian Film Indus- try: The Rodrigo Pais Archive

• in "L'avventura", 2/2020
• pp. 277-299, DOI: 10.17397/98970
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• Eleonora Roaro

• Udine’s Odeon Cinema as a Case Study of 3D Modelling and Virtual Reality Storytelling for the Preservation of Cultural Heritage

• in "L'avventura", 2/2020
• pp. 223-240, DOI: 10.17397/98967
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• Massimo CovielloGiacomo Tagliani

• Migrant Images and Imageries in Contemporary Italian Cinema

• in "L'avventura", 2/2019
• pp. 227-240, DOI: 10.17397/95220
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• € 8,00
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• Clizia Centorrino

• Le cose belle: On the Aesthetics of Becoming in Documentary Films

• in "L'avventura", 2/2018
• pp. 225-242, DOI: 10.17397/91649
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• Cosetta Gaudenzi

• Between Reality and Fiction. Ammore e malavita by the Manetti Bros.

• in "L'avventura", Speciale/2020
• pp. 119-130, DOI: 10.17397/98982
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• Anna Tonelli

• Bribes, Showgirls and Show Politics: The TV Series 1992 under the Lens of History

• in "L'avventura", Speciale/2020
• pp. 109-118, DOI: 10.17397/98981
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