Abstract

This work focuses on the foundation of a personalistic morality by Luigi Stefanini and on its place in the context of social personalism, which the author develops in the mature phase of his production. The underlying thesis consists in showing how such a perspective can be better understood in the light of the aesthetic proposal to whose systematization Stefanini dedicated a large part of his production: an idea of art as total word and expression in which it is possible to see how relationality deeply represents the nature of the person.