Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Maddalena BorsatoNicola Perullo Toward an Aesthetic Genealogy of Sweetness: First Elements DOI: 10.14648/97114 Availability: 22/06/2020 Details
Adriano Fabris On Some Aspects of the Relationalism of Enzo Paci pp. 7-18, DOI: 10.14648/103910 Details Cite
Francesco Valagussa Cesare Brandi and the Transcendental Schematism pp. 19-32, DOI: 10.14648/103911 Details Cite
Paolo Diego Bubbio Secularisation and Kenosis in Gianni Vattimo’s Kehre pp. 33-44, DOI: 10.14648/103912 Details Cite
Marco Bruni Giacomo Leopardi and «Genius Artworks». Emanuele Severino’s Interpretation pp. 45-60, DOI: 10.14648/103913 Details Cite
Federico Croci The Indiscernibles’ Atopy. Critical Examination of the Not Being’s Aporia in Emanuele Severino’s Philosophy pp. 61-74, DOI: 10.14648/103914 Details Cite
Giulio Goria The Cosmic Rhythm. Emilio Villa about Prehistoric Art pp. 75-90, DOI: 10.14648/103915 Details Cite
Giuseppe Pintus The Foundation of Morality in Luigi Stefanini. Aesthetic and Theological Contributions pp. 91-106, DOI: 10.14648/103916 Details Cite
Massimo Donà The Life and the Machine. In the Margins of The Notebooks of Serafino Gubbio, Cinematograph Operator pp. 107-128, DOI: 10.14648/103917 Details Cite
Dietrich Harth A Portrait of the Greek Philosopher Panajotis Kondylis: On Reconstructing Western Thought from a Power-Theory Perspective pp. 129-144, DOI: 10.14648/103918 Details Cite
Leonard Mazzone Processes of Alteration. The Concept of Metamorphosis in the Works of Elias Canetti pp. 145-170, DOI: 10.14648/103919 Details Cite
Giacomo Scarpelli Observations on the Sources of Minoan Archaeology in Freud’s thought. An Essay on History of Ideas pp. 171-190, DOI: 10.14648/103920 Details Cite
Stefania Tarantino A Transformation of the Philosophical Scene and the Imagination of Art. The «Scratches» of Sarah Kofman pp. 191-222, DOI: 10.14648/103921 Details Cite
Matteo Bergamaschi Icon in Comic Strips. Hypothesis for Aesthetics of Religious Subjects Starting from Rat- Man by Leo Ortolani pp. 237-248, DOI: 10.14648/100326 Details Cite
Lorenzo Chiuchiù Res Mystica. Critique of the nNecessary Bbject in Giorgio Colli’s Philosophy of Expression pp. 249-268, DOI: 10.14648/101591 Details Cite
Davide Sparti «Ethics and Aesthetics Are One». From Wittgenstein to Argentine Tango pp. 269-290, DOI: 10.14648/100331 Details Cite
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