Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Maddalena BorsatoNicola Perullo Toward an Aesthetic Genealogy of Sweetness: First Elements DOI: 10.14648/97114 Availability: 22/06/2020 Details
Adriano Fabris On Some Aspects of the Relationalism of Enzo Paci pp. 7-18, DOI: 10.14648/103910 Details Cite
Francesco Valagussa Cesare Brandi and the Transcendental Schematism pp. 19-32, DOI: 10.14648/103911 Details Cite
Paolo Diego Bubbio Secularisation and Kenosis in Gianni Vattimo’s Kehre pp. 33-44, DOI: 10.14648/103912 Details Cite
Marco Bruni Giacomo Leopardi and «Genius Artworks». Emanuele Severino’s Interpretation pp. 45-60, DOI: 10.14648/103913 Details Cite
Federico Croci The Indiscernibles’ Atopy. Critical Examination of the Not Being’s Aporia in Emanuele Severino’s Philosophy pp. 61-74, DOI: 10.14648/103914 Details Cite
Giulio Goria The Cosmic Rhythm. Emilio Villa about Prehistoric Art pp. 75-90, DOI: 10.14648/103915 Details Cite
Giuseppe Pintus The Foundation of Morality in Luigi Stefanini. Aesthetic and Theological Contributions pp. 91-106, DOI: 10.14648/103916 Details Cite
Massimo Donà The Life and the Machine. In the Margins of The Notebooks of Serafino Gubbio, Cinematograph Operator pp. 107-128, DOI: 10.14648/103917 Details Cite
Dietrich Harth A Portrait of the Greek Philosopher Panajotis Kondylis: On Reconstructing Western Thought from a Power-Theory Perspective pp. 129-144, DOI: 10.14648/103918 Details Cite
Leonard Mazzone Processes of Alteration. The Concept of Metamorphosis in the Works of Elias Canetti pp. 145-170, DOI: 10.14648/103919 Details Cite
Giacomo Scarpelli Observations on the Sources of Minoan Archaeology in Freud’s thought. An Essay on History of Ideas pp. 171-190, DOI: 10.14648/103920 Details Cite
Stefania Tarantino A Transformation of the Philosophical Scene and the Imagination of Art. The «Scratches» of Sarah Kofman pp. 191-222, DOI: 10.14648/103921 Details Cite
Matteo Bergamaschi Icon in Comic Strips. Hypothesis for Aesthetics of Religious Subjects Starting from Rat- Man by Leo Ortolani pp. 237-248, DOI: 10.14648/100326 Details Cite
Lorenzo Chiuchiù Res Mystica. Critique of the nNecessary Bbject in Giorgio Colli’s Philosophy of Expression pp. 249-268, DOI: 10.14648/101591 Details Cite
Davide Sparti «Ethics and Aesthetics Are One». From Wittgenstein to Argentine Tango pp. 269-290, DOI: 10.14648/100331 Details Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) , Immagini. Laura Ricca, Man and nature in Japan: homology and self-knowledge. With a text by Ōnishi Yoshinori: Feelings towards nature. , Immagini. Heather L. Reid, Aristotle on the Beauty of Fair Play. Francesco Cattaneo, Bright Spots in the Night. Focusing on the Role of Art in Friedrich Nietzsche's Birth of Tragedy from the Perspective of the Overturning of Platonism. Enrico Berti, Hegel and the Book Lambda of Aristotle’s Metaphysics. Mauro Bozzetti, The Book never Written. The Great Expectations of Hölderlin and Hegel in the Frankfurt Season. Shela Sheikh, Olivier Marboeuf, Speculative Justice as Decolonial Intervention. The Aesthetics and Politics of the Bureau des Dépositions. Alessandro De Cesaris, An Interview with Paul Redding. Paolo Stellino, What Is It like to Be in the Land of Silence and Darkness? Werner Herzog and the Paradox of Representing the Unrepresentable. [continue...]
Details
Cite