Abstract

This essay explores enunciation phenomena that cannot be classified either as veritative assertions, attempts at deception, or purely fictional stagings. It addresses situations where an individual declares facts while adopting the role of a sincere speaker, even though it seems evident to both the speaker and the audience that what is being said is unwarranted. In the attempt to define what do we do when we “perform believingµ, the discussion will include cases from contemporary arts, and roles such as lawyers, sports fans, superstitious individuals, and religious believers. This leads to define the features of belief performing as connected with epistemological notions such as acceptance and commitment. In conclusion, a particular case of contemporary artistic practice, i.e., parafictions, will be examined as a specific approach of critical and self-reflective exploration of staged-truth mechanisms, where creators engage with truth and deception to challenge viewers’ perceptions and the categorization of belief. The paper argues that such engagements reveal societal mechanisms about how we construct and accept truths within our communities. By analyzing instances like conspiracy theories and cultural narratives, the essay underscores the performative nature of truth-asserting, calling for a reevaluation of how beliefs are negotiated in public discourse