Cristina Baldacci (Re)Configuring the Museum as Public Space The Artist Role According to Marcel Broodthaers and Hans Haacke pp. 5-22, DOI: 10.30460/100225 Details Cite
Andrea D'Ammando Public Art, Participatory Art and the Museum as Heterotopia pp. 23-39, DOI: 10.30460/100226 Details Cite
Giuseppe Di Giacomo Immanence and Transcendence in the Pictorial Work of Barnett Newman pp. 41-55, DOI: 10.30460/100227 Details Cite
Diego Malquori The Awareness of Illusion. On the Dissolution of the Limits of Contemporary Art pp. 57-71, DOI: 10.30460/100228 Details Cite
Alessandro Alfieri Experimental Cinema, Video Art and Computer Art. Social Dimension, Self-Referentiality and Commercial Application pp. 73-86, DOI: 10.30460/100229 Details Cite
Elisabetta ModenaAndrea PinottiSofia Pirandello Virtual Reality and Augmented Reality New Tools for Art and Politics pp. 87-106, DOI: 10.30460/100230 Details Cite
Tommaso Morawski Bio-Maps. The Challenges of Mapping the Spaces of Life pp. 107-125, DOI: 10.30460/100231 Details Cite
Stefano Velotti Art in the Time of Pandemic: Three Terms pp. 127-140, DOI: 10.30460/100232 Details Cite
Gianluigi Dallarda The Monogram and the Empirical Schematism pp. 141-157, DOI: 10.30460/100233 Details Cite
Vittorio Perego Derrida and the Genetic Phenomenology of Merleau-Ponty pp. 159-175, DOI: 10.30460/100234 Details Cite
Piergiorgio Della Pelle Virtuality and Transcendence in Gadamer’s “Metaphysicsµ of Ereignis pp. 177-194, DOI: 10.30460/100235 Details Cite
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Most downloaded articles (last 2 months) Andrea D'Ammando, Public Art, Participatory Art and the Museum as Heterotopia. Denise Vincenti, Phantoms of the Mind. Hallucination and Perception in France in the Second Half of the Nineteenth Century. David Ceccarelli, Epigenesis as Lamarckism? Labels and Processes to Face in Historical Perspective. Piergiorgio Della Pelle, Virtuality and Transcendence in Gadamer’s “Metaphysicsµ of Ereignis. Vittorio Perego, Derrida and the Genetic Phenomenology of Merleau-Ponty. Gianluigi Dallarda, The Monogram and the Empirical Schematism. Stefano Velotti, Art in the Time of Pandemic: Three Terms. Elisabetta Modena, Andrea Pinotti, Sofia Pirandello, Virtual Reality and Augmented Reality New Tools for Art and Politics. Alessandro Alfieri, Experimental Cinema, Video Art and Computer Art. Social Dimension, Self-Referentiality and Commercial Application. Giuseppe Di Giacomo, Immanence and Transcendence in the Pictorial Work of Barnett Newman. [continue...]
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