Abstract

The study focuses on the analysis of Ali Salem Iselmu’s collection of short stories, La luz de cuatro velas en el Sáhara, as an expression, within Saharawi Literature, of a peculiar identity paradigm, which is based on the transterritorial experience of the author and its characters. The book is made up of four parts, four ‘chronotopes’, according to a journey from the past to the vision of the future. The constitution in Madrid, on July 9, 2005, of the Generación de la Amistad, by a whole generation of journalists, poets, writers with roots in Western Sahara, a former Spanish colony, with a biography of a migrant and with the determination of writing a literature in Spanish with traces of Hassania, determines the birth of a lesser literature and, in the reflection of Deleuze and Guattari, necessarily revolutionary