Chiara Sciarrino Introduction: New Perspectives in Irish Theatre pp. 9-11, DOI: 10.7368/103022 Details Cite
Eamonn Jordan Capital and Class in Irish Theatre: A Twenty-First Century Critical Snapshot pp. 25-50, DOI: 10.7368/103025 Details Cite
Richards Shaun From the Stage of the Abbey to the Streets of the Monto: The Development of "Immersive" Theatre in Ireland pp. 51-64, DOI: 10.7368/103026 Details Cite
Chiara Sciarrino "I Cannot Place You": Dementia and the Pandemic Experience in The Visiting Hour by Frank McGuinness pp. 65-74, DOI: 10.7368/103027 Details Cite
Giuliana Bendelli Recent Trends in Irish Theatre. Irish Drama Revisiting Classics pp. 75-92, DOI: 10.7368/103028 Details Cite
Ashley Taggart "The State of Us": Wars of Partition in Beckett’s Endgame pp. 107-121, DOI: 10.7368/103030 Details Cite
Monica Randaccio Conor Mcpherson’s The Weir into Italian as Intertextual Translation pp. 123-142, DOI: 10.7368/103031 Details Cite
Alessio Collura Kings and Werewolves: The Lay of Bisclavret and Other Examples from Old French Literature pp. 145-158, DOI: 10.7368/103032 Details Cite
Iman Galal 37 Years of Arabic Songs at Zecchino d’oro. Sociolinguistic Reflections pp. 159-184, DOI: 10.7368/103033 Details Cite
Rosario Pollicino Testimonial Literature and Trauma: The Case of Grazia Arnese and the 13,000 Italian-Libyan Children pp. 185-197, DOI: 10.7368/103034 Details Cite
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