La cappella Velluti-Zati in Santa Croce fra giottismo e arcaismi (1321 circa)
Are you already subscribed?
Login to check
whether this content is already included on your personal or institutional subscription.
Keywords
- Thanks to the presence of the Zatiâ
-
- s coat of arms
- we can assert that the frescoes of the Velluti Chapel in Santa Croce were commissioned by this family no long before 1321. In fact
- the Zati family first detained the chapelâ
-
- s patronage. The decoration
- was ultimated under the will of Gemma Velluti
- as Donato Velluti says in his Cronica Domestica. The cycleâ
-
- s iconography
- showing Saint Michaelâ
-
- s histories
- is based on Legenda Aurea by Jacopo da Varagine and it reflects the role of the Archangel in the Apocalypse
- such as in Cimabueâ
-
- s frescoes in San Francesco in Assisi and in the painting with Saint Michael and its histories by Coppo di Marcovaldo. This subject was widespread among the Spirituals
- some of which most famous theorists were in Santa Croceâ
-
- s Studio at the end of thirteenth century. The frescoes can be compared with the Virgin with the Child in San Lorenzo Florence (1320-25) and they were realised by a close follower of Santa Cecilia Master