Fabio Fabiani Invisible spaces in the Roman city. The role of Tabernae in the urban lanscape pp. 5-18, DOI: 10.7374/104980 Details Cite
Anna Anguissola The surfaces of illusion. Methodological notes on the study of Roman ideal sculptures pp. 19-31, DOI: 10.7374/104981 Details Cite
Sara Lenzi The representation of marbles in painting, between imitation and imagination pp. 32-41, DOI: 10.7374/104982 Details Cite
Fabrizio Paolucci The Diana Corsi. A new image of Isis-Fortuna pp. 44-56, DOI: 10.7374/104983 Details Cite
Salvatore Fadda A Roman statue in the collection of the Bardi Foundation in São Paulo pp. 57-68, DOI: 10.7374/104984 Details Cite
Minna Heimbürger How to interpret the Virgin Mary's gesticulation in the scenes of the Annunciation of our lady pp. 69-83, DOI: 10.7374/104985 Details Cite
Minna Heimburger Jacopo Bassano’s cycle of Seasons and a flemish iconographic tradition pp. 84-96, DOI: 10.7374/104986 Details Cite
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Most downloaded articles (last 2 months) Minna Heimbürger, How to interpret the Virgin Mary's gesticulation in the scenes of the Annunciation of our lady. Anna Anguissola, The surfaces of illusion. Methodological notes on the study of Roman ideal sculptures. Anna Anguissola, Fabio Fabiani, Editoriale. Fabio Fabiani, Invisible spaces in the Roman city. The role of Tabernae in the urban lanscape. Sara Lenzi, The representation of marbles in painting, between imitation and imagination. Fabrizio Paolucci, The Diana Corsi. A new image of Isis-Fortuna. Minna Heimburger, Jacopo Bassano’s cycle of Seasons and a flemish iconographic tradition. Salvatore Fadda, A Roman statue in the collection of the Bardi Foundation in São Paulo. Stefano Pierguidi, Sui restauri del Fauno Barberini. Paolo Marconi, Archeologia, filologia, restauro, "falso storico". [continue...]
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