Fuori dai repertori. Donne sulla scena letteraria ottocentesca
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Keywords
- These reflections on the presence of women on the literary scene take origin from the first 19th Century bibliography of â
-
- womenâ
-
- s writingâ
-
- published in Venice in 1924 with the title: Prospetto Biografico delle Donne Italiane Rinomate in Letteratura dal Secolo Decimoquarto fino aâ
-
- giorni nostri (Biographical Schedule of Italian Women renowned in the Literary Field from the 14th Century up to the present time) edited by Ginevra Canonici Fachini. This bibliography
- addressed to Lady Morgan
- aims to refute all her malicious judgements about Italian women. It takes strength from a sense of belonging in order to emphasize womenâ
-
- s rich poetical tradition
- starting from the â
-
- big mothersâ
-
- of the 16th Century
- moreover
- it starts an interesting analytical reflection on spaces
- shapes
- intensity and strength of a womenâ
-
- s widespread presence on the literary scene at the turn of the 19th Century.
- Examining the pages of the Bibliography
- Adriana Chemello inquires into womenâ
-
- s real literary frameworks at the beginning of the 19th Century. The author analyses some interesting publishing experiences: her purpose is to outline a first
- although approximate
- map of the womenâ
-
- s presence on the literary scene. She also takes into account the fact that
- in such a peculiar historical context
- women shift between â
-
- privateâ
-
- and â
-
- publicâ
-
- in their historical and narrative coming and going. In these editorial works the word â
-
- womanâ
-
- becomes text interacting and conversing with other texts in an open but clearly-defined and shaped system
- such as the â
-
- collectionâ
-
- the â
-
- miscellanyâ
-
- the â
-
- anthologyâ
-
- the â
-
- giftâ
-
- . Each of these literary products gives the reader a little series of personal data and
- most of all
- it shows â
-
- a synchronic cross-sectionâ
-
- of the literary products of the period
- creating a hierarchy of the prevailing literary forms