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Articles - Textus - number : 2, May-August 2016

10.7370/86639: "Introduction. Ancient Rome and English Renaissance Drama", Domenico Lovascio, Details, FullText
10.7370/86640: "Cato's Daughter, Brutus's Wife: Portia Agonistes", Julia Griffin, Details, FullText
10.7370/86641: "Dido in Oxford. William Gager's Ovidian Play in Elizabethan England", Cristiano Ragni, Details, FullText
10.7370/86642: "Speech and Spectacle as Political Participation for Shakespeare's Roman Women", Alisa Manninen, Details, FullText
10.7370/86643: ""Gods and goddesses - All the whole synod of them!": Shakespeare's References to the Gods in Antony and Cleopatra", Camilla Caporicci, Details, FullText
10.7370/86644: "Romish poison: Claudius Tiberius Nero", Lisa Hopkins, Sharon McDonnel, Details, FullText
10.7370/86645: ""No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece", Tommaso Continisio, Details, FullText
10.7370/86646: "To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan", Kibrina Davey, Details, FullText
10.7370/86647: "Glimpses of Rome in the Theatre of Richard Brome", Cristina Paravano, Details, FullText
10.7370/86648: "Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher's Fuimus Troes", Domenico Lovascio, Details, FullText
10.7370/86649: "Performance Review. Della rovina, di tempo e di bellezza. Shakespeare e il destino di Roma, a Palladium Theatre Production (2016)", Maddalena Pennacchia, Details, FullText