Abstract

This paper will provide to the reader an updated and varied critical overview of the most recent Dantean projects developed and disseminated through the social network Twitter. Reflecting on the modalities of functioning of this digital platform, it will be possible to show how the articulated and varied number of initiatives promoted by the aforementioned social network have contributed to the online codification of a Dantean long-form literature. From codicological issues to properly narrative aspects, the «Dante social network» proves to be so pervasive as to attest a global involvement of a heterogeneous community of internet users.