Carlotta Santini

Arianna and the Labyrinth. Aspects of the Overcoming of the Greek Ideal in the Work of Friedrich Nietzsche

Are you already subscribed?
Login to check whether this content is already included on your personal or institutional subscription.


In the very last phases of Nietzsche's work, starting from Jenseits von Gut und Böse (1886) we experience a return of the themes and of the characters of the classical mythology, the same that had strongly characterized the first phase of his thought. This re- newed interest for Greece ratifies on one side a completion, but on the other side the overcoming of a long formative process in the Nietzsche's Philosophy. In the following pages I would like to ana- lyze this critical phase of the liberation from the Greek world in the last Nietzsche, that overcoming that he wishes in Die fröhliche Wissenschaft with the peremptory: «Ach Freunde! Wir müssen auch die Griechen überwinden!». The Nietzsche's critique moves now to the highest level reached by humanity: the Greek man. In this article I will analyze some figures, paying attention to those that represent the overcoming of the Greek ideal in the Nietzsche's work: Arianna, Theseus, the Labyrinth, the Minotaur.


  • Arianna
  • Labyrinth
  • Hero
  • Übermensch
  • Humanity


Article first page

Trova nel catalogo di Worldcat