Marco Beghelli

Aria col da capo: istanze esecutive ieri e oggi

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Abstract

In the face of the modern performance practice of eighteenth-century opera, which nearly always abbreviated the score with a series of cuts, we look at the possibility of intervening on da capo arias. In particular, answers are sought for the following two questions: which arias cannot be eliminated at any cost because of the drama? Which types of intervention can be seen in the eighteenth century?

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