Abstract

Transversing the global networks of big data and communication capitalism the manifesto returns as event, singularity, interruption as the aesthetic void in the everyday. An imperceptible fluctuation in the whiteness of reactionary techno-utopias. The manifesto as disorder. Irregular vectors of thought apposition to racial capitalism, techno-fascisms, and the police state. The manifesto an experiment in speculative poetics in and against the global institutions of art and knowledge. The utopian joys of social life as study is when we dance together to the infra-structural bass of revelry, when the sweat drips, with laugher in the atmosphere. The rhythms modulating immanent movements and temporalities as fuzzy (un)mappings inside our collective cybernetic heads.