La favola pastorale agli albori del melodramma
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Abstract
The predilection of the fathers of the melodrama for the genre of the "favola pastorale" relied primarily on the need to solve the problem of the likelihood of the opera. This article reflets on the different influences of Tasso and Guarini models on Baroque pastorale by examining some works both Florentine that Romans centered on the mith of Orfeo and Euridice
