Belén Atencia Conde-Pumpido

París, ¿Capital de las vanguardias? Internacionalización y estrategias comerciales en el arte moderno anterior a la primera guerra mundial

Are you already subscribed?
Login to check whether this content is already included on your personal or institutional subscription.


The historiography dedicated to the artistic Avant-gardes of the late 19th and early 20th centuries has insisted, in most cases, on transmitting a uniform narrative in which Paris is presented as the nerve centre of the most innovative artistic creation. The Modernity – produced, exhibited and marketed in the French capital – shows an openness irrevocably linked to the splendour of the Belle Époque at the end of the century and the reforms of the Third Republic before the outbreak of the First World War..


Article first page

What do you think about the recent suggestion?

Trova nel catalogo di Worldcat