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Table of contents of the issue 2/2020, May

ISBN: 978-88-15-29002-1

Year: XXXV

Luciano Formisano

A Few Remarks on Albino Pierro and Gianfranco Contini

Strumenti critici 2/2020 pp: 207-220 DOI: 10.1419/97599

Guido Lucchini

The Philologist and the Publisher. On the Letters between Gianfranco Contini and Giulio Einaudi

Strumenti critici 2/2020 pp: 221-240 DOI: 10.1419/97600

Stefano Lazzarin

At the Origins of «La Comédie Humaine»: Uncanny Places in Balzac’s Paris

Strumenti critici 2/2020 pp: 241-264 DOI: 10.1419/97601

Nicolò Rossi

The Plague, the Evidence, and the Trials: Giovanni Testori from Manzoni to Carlo Borromeo and Back

Strumenti critici 2/2020 pp: 265-288 DOI: 10.1419/97602

Arnaldo Di Benedetto

Exploring Eighteenth-Century Culture with Andrea Battistini

Strumenti critici 2/2020 pp: 289-301 DOI: 10.1419/97603

Primi piani

Nadia Ebani

An Analysis of Giovanni Pascoli’s Hymn ‘La poesia’

Strumenti critici 2/2020 pp: 303-311 DOI: 10.1419/97604

Riccardo Antonangeli

Riddle and Estrangement: Narrating the Fascist Enemy in Postwar Italian Literature

Strumenti critici 2/2020 pp: 313-334 DOI: 10.1419/97605

Roberto Silva

An Iconological Interpretation of the “Sala dei Gigantiµ by Lattanzio Gambara (1572-1573) in Parma

Strumenti critici 2/2020 pp: 335-361 DOI: 10.1419/97606

Valerio Lucchesi

Notes on Giancarlo Consonni’s ‘Luì’

Strumenti critici 2/2020 pp: 363-380 DOI: 10.1419/97607

Biblioteca

Giuliana Bendelli

Anna Maria Montanari, Cleopatra in Italian and English Renaissance Drama

Strumenti critici 2/2020 pp: 381-384 DOI: 10.1419/97608

Antonio Bibbò

Edoardo Esposito, Con altra voce. La traduzione letteraria tra le due guerre

Strumenti critici 2/2020 pp: 385-387 DOI: 10.1419/97609

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