Pier Vincenzo Mengaldo ‘Siesta’ by Antonio Machado: A Commentary pp. 3-7, DOI: 10.1419/103584 Details Cite
Donata Meneghelli Balzac’s Objects: Between Sign and Presence pp. 9-38, DOI: 10.1419/103585 Details Cite
Enrico Testa Exploring the Motif of Bones in Giorgio Caproni’s Work pp. 39-63, DOI: 10.1419/103586 Details Cite
Angela Borghesi Zanzotto, Maybe. Approaching ‘Dietro il paesaggio pp. 65-79, DOI: 10.1419/103587 Details Cite
Luca Stefanelli Mother and Father Figures in Andrea Zanzotto’s Poetry between Landscape and History pp. 81-96, DOI: 10.1419/103588 Details Cite
Piera Tomasoni The Critical Edition of the Manuscript Saibante-Hamilton 390: An Outstanding Model for Future Research pp. 97-127, DOI: 10.1419/103589 Details Cite
Antonio Di Silvestro Behind and Beyond Memory: Intertextuality and Variant Readings in Giuseppe Ungaretti’s Poems ‘La morte meditata pp. 129-150, DOI: 10.1419/103590 Details Cite
Edoardo Camassa Figures of Power to Excess: Analysys of a Page of ‘El Otoño del Patriarca’ pp. 151-162, DOI: 10.1419/103591 Details Cite
Luca Daino ‘Nelle lame dello sfalcio quotidiano’. An Analysis of Alberto Nessi’s Poetry pp. 163-183, DOI: 10.1419/103592 Details Cite
Angelo R. Pupino Federico Pier Maria Sanguineti, Le parolacce di Dante Alighieri, Introduzione di Moni Ovadia (Angelo R. Pupino) pp. 185-192, DOI: 10.1419/103593 Details Cite
Paola Siano Paola Siano, Il carteggio Michele Barbi – Ernesto Giacomo Parodi (Guido Lucchini) pp. 192-198, DOI: 10.1419/103594 Details Cite
Giuliana Adamo Cosimo Colazzo, Musica e impegno. L’antifascismo e l’opera di Fernando Lopes-Graca pp. 198-200, DOI: 10.1419/103595 Details Cite
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