Ferdinando Amigoni Restoring the Aura. A few notes on Peter Handke in the« Photomatic» pp. 209-243, DOI: 10.1419/104486 Details Cite
Mario Barenghi With Jahier, or WW1, The XXI Century’s Only Hygiene pp. 245-261, DOI: 10.1419/104487 Details Cite
Giancarlo Alfano The Indelible Image: Vision and Position in Andrea Zanzotto pp. 263-279, DOI: 10.1419/104488 Details Cite
Daria Farafonova «Diverse voci fanno dolci note». The “creatural polyphonyµ in Dante and Dostoevsky pp. 281-302, DOI: 10.1419/104489 Details Cite
Andrea Aveto Nine letters from Giovanni Boine to Giuseppe Prezzolini pp. 303-320, DOI: 10.1419/104490 Details Cite
Clelia Martignoni The Scene of the «First Encounter». Reading Giovanni Fontana’s Study on Elsa Morante’s «Menzogna e sortilegio» pp. 321-331, DOI: 10.1419/104491 Details Cite
Anna Maria Montanari «Such stuff as dreams are made on»: Prophetic Dreams and Dreams of Death from Classical Antiquity to Italian Renaissance Drama and Shakespeare’s Plays pp. 333-361, DOI: 10.1419/104492 Details Cite
Padovani Francesco Anna Maria Ortese and the Concept of Antiquity pp. 363-381, DOI: 10.1419/104493 Details Cite
Alessandra Farina The «Capital City of the Seven Holes»: Morphology and Stylization of Fictional Space in Soldati’s «Le due città» pp. 383-401, DOI: 10.1419/104494 Details Cite
Federico Francucci Étienne Boillet, Fiction: mode d’emploi pp. 403-407, DOI: 10.1419/104495 Details Cite
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Most downloaded articles (last 2 months) , Notizie sui collaboratori. Elena Arnone, On the Editorial Correspondence between Franco Fortini and the Einaudi Publishing House. Donato Pirovano, «Io vidi | l’alto trïunfo del regno verace». A Reading of Canto XXX of Dante’s ‘Paradise’. Angela Borghesi, Change and Breath: Anna Maria Ortese’s Words to Save the World. Marcello Sabbatino, The Inverted Pyramid. A Study of Leonardo Sciascia’s Non- Fiction Writing.. Francesco Venturi, Notes on Gadda’s Critical Essays: The Making of «I viaggi la morte». Simona Beccone, P.B. Shelley’s Cosmology of Light and the Doctrine of the Brahman. Dante Isella, Clelia Martignoni, Vittorio Sereni, «Ancora sulla strada di Zenna». Variazioni su un tema leopardiano. Enrico Sinno, Diverse Voices in Giorgio Manganelli’s Critical Notes: Walter Pater, Mario Praz, and Benedetto Croce. Massimo Danzi, A Double Contribution to Giovanni Verga’s and Luigi Pirandello’s Correspondence. [continue...]
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