Sandro MorachioliIrene Piazzoni Introduction. Political caricature in Europe pp. 3-8, DOI: 10.14647/103443 Details Cite
Rolf Reichardt The wars of caricatures for and against Napoleon Bonaparte pp. 9-32, DOI: 10.14647/103444 Details Cite
David Kerr Reading and Misreading Caricature in the Nineteenth-Century Illustrated Press. Charles Philipon’s The Abdication of Daumier 1st pp. 33-48, DOI: 10.14647/103445 Details Cite
Sandro Morachioli In the eyes of the world. Augusto Grossi’s «Il Papagallo» pp. 49-68, DOI: 10.14647/103446 Details Cite
Irene Piazzoni From peace to Fascism. Italian caricatures in the battles after the First World War pp. 69-88, DOI: 10.14647/103447 Details Cite
James Whitworth Cartoons, Caricature and Conflict. The Role of British News Cartoons in the 1945 British General Election pp. 89-102, DOI: 10.14647/103448 Details Cite
Philippe Kaenel The Cold War and satire in Switzerland: some case studies pp. 103-122, DOI: 10.14647/103449 Details Cite
Tiziana Plebani Friendship and the city in 20th century Venice: Egle Renata Trincanato and Elena Bassi pp. 123-142, DOI: 10.14647/103450 Details Cite
Roberto Ibba Local powers, underworld, riots and repression. The rise and fall of the police commissioner Felice Pinna pp. 143-162, DOI: 10.14647/103451 Details Cite
Xavier Tabet From the «certainty of law» to «Antigone’s laws». Piero Calamandrei in the transition from Fascism to the Republic pp. 163-182, DOI: 10.14647/103452 Details Cite
Anna Maria Falchero «With Iron and with Fire» Steel in Italian Industrial Films pp. 183-200, DOI: 10.14647/103453 Details Cite
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