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Table of contents of the issue 2/2018, May-August
Performing Narrative across Media (edited by C. Maria Laudando and Márta Minier)

ISBN: 978-88-43-09208-6

Year: XXXI

C. Maria Laudando Márta Minier

Introduction: Performing Narrative across Media

Textus 2/2018 pp: 7-22 DOI: 10.7370/91004

Márta Minier

Adapting 'Real-life' Material: Metatheatrical Configurations of Authorship and Ownership of Story in Contemporary British Verbatim Theatre

Textus 2/2018 pp: 23-40 DOI: 10.7370/91005

R. Lyle Skains

Dissonant Fabulation: Subverting Online Genres to Effect Socio-Cognitive Dissonance

Textus 2/2018 pp: 41-58 DOI: 10.7370/91006

Pierpaolo Martino

From George Orwell to David Bowie: Performing Dystopian Narratives in the Diamond Dogs Album and Show

Textus 2/2018 pp: 59-74 DOI: 10.7370/91007

Rosemary Kay

Hybridised Genres: Accessing Spaces Conventional Biography Cannot Reach

Textus 2/2018 pp: 75-88 DOI: 10.7370/91008

Alessandra Ruggiero

Performing Rituals of Self-Narration: Benjamin Zephaniah's Storytelling

Textus 2/2018 pp: 89-102 DOI: 10.7370/91009

Lucia Esposito

What is Your Story Now? Life Narrative under Threat in Douglas Coupland's 'Extreme Present'

Textus 2/2018 pp: 103-116 DOI: 10.7370/91010

Sara Soncini

Drama on the Move: Intermedial Dialogue in Caryl Churchill's Love and Information

Textus 2/2018 pp: 117-130 DOI: 10.7370/91011

Mariacristina Cavecchi

Tim Crouch's 'Transplant': ENGLAND's Performing Narrative in Art Galleries

Textus 2/2018 pp: 131-144 DOI: 10.7370/91012

Silvia Pireddu

'Talking Pictures': Digital Storytelling and Performance in Heritage Communication

Textus 2/2018 pp: 145-162 DOI: 10.7370/91013

Francesco Cattani

Collage and Decollage: A Multi-Media Approach to Black and Asian British Identity

Textus 2/2018 pp: 163-176 DOI: 10.7370/91014

Anna Maria Cimitile

Montage Epic in John Akomfrah's Vertigo Sea: The Politics and Aesthetics of Multiscreen Narrative

Textus 2/2018 pp: 177-192 DOI: 10.7370/91015

C. Maria Laudando

Of Trees and Flipbooks: Multimedia Wounded Passages in William Kentridge's Second-hand Reading

Textus 2/2018 pp: 193-214 DOI: 10.7370/91016

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