Sergio Miceli

Da Kurt London (1936) a Theodor W. Adorno (1947): due miti da ridimensionare

  • Abstract

Informations and abstract


The article examines two works, mistakenly considered fundamental in the study of film music. In actual fact, however, the theoretical work of Kurt London and that of Adorno-Eisler are based on false assumptions and on preconceptions that compromise the entire theoretical structure of their texts. It is a system that, in the eyes of a careful modern-day reader, must certainly be reconsidered, if not literally called into question.

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