Pier Vincenzo Mengaldo From 'Myricae' to 'Canti di Castelvecchio' pp. 167-196, DOI: 10.1419/73552 Details € 8,00 Cite
Francesco Venturi Exploring the Origins of Andrea Zanzotto's Trilogy: an Investigation of 'Logos Erchómenos' and 'Fosfeni' pp. 197-212, DOI: 10.1419/73553 Details € 8,00 Cite
Giorgio Sica Manoel de Barros' 'Dispoetry'. An Introduction to a Sculptural Artist of Language pp. 213-232, DOI: 10.1419/73554 Details € 8,00 Cite
Elisabetta Abignente Love Hanging by a Thread. The Topos of Waiting for a Call pp. 233-254, DOI: 10.1419/73555 Details € 8,00 Cite
Luca Morlino Remarks on the Reception of Leo Spitzer's Works in Italy During the Early 1920s pp. 255-266, DOI: 10.1419/73556 Details € 8,00 Cite
Davide Castiglione Sereni and the Translation Process: Synchronic and Diachronic Analysis of a Translation From W.C. Williams pp. 267-288, DOI: 10.1419/73557 Details € 8,00 Cite
Francesca Puddu On the Genesis of Giovanni Orelli's 'Una sirena in parlamento' pp. 289-312, DOI: 10.1419/73558 Details € 8,00 Cite
Giuliana Adamo Giovanni Albertocchi, «Non vedo l'ora di vederti». Legami, affetti, ritrosie, nei carteggi di Porta, Grossi & Manzoni pp. 318-322, DOI: 10.1419/73560 Details € 8,00 Cite
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