Andrea Aveto «Stay in the Partisan Zone (Without Playing the Hero)». Giorgio Caproni and the Resistance pp. 3-26, DOI: 10.1419/85970 Details € 8,00 Cite
Clelia Martignoni Carlo Emilio Gadda's «La cognizione del dolore» on Stage: the Challenge of a Theatrical Adaptation pp. 27-46, DOI: 10.1419/85971 Details € 8,00 Cite
Stefano Carrai Luciano Cecchinel or the Pity's Song: an Analysis of the Poetry Collection «Perché ancora» pp. 47-54, DOI: 10.1419/85972 Details € 8,00 Cite
Giacomo Morbiato Theoretical and Historical Implications of Stylistic Approach to Metrics pp. 55-78, DOI: 10.1419/85973 Details € 8,00 Cite
Amelia Juri Metrical and Syntactical Constants of Giorgio Caproni's Early Works (from «Come un'allegoria» to «Finzioni») pp. 79-104, DOI: 10.1419/85974 Details € 8,00 Cite
Simona Carretta The Last Parnassus. The Spectrum of the Arts through the Novel pp. 105-118, DOI: 10.1419/85975 Details € 8,00 Cite
Guido Lucchini Giulio Einaudi nell'editoria di cultura del novecento italiano, a cura di Paolo Soddu pp. 119-125, DOI: 10.1419/85976 Details € 8,00 Cite
Giuliana Adamo Caro Umberto, Sergio carissimo. Gramsci, comunismo e religione nelle lettere tra Sergio Atzeni e Umberto Cardia pp. 126-128, DOI: 10.1419/85977 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Francesco Venturi, Notes on Gadda’s Critical Essays: The Making of «I viaggi la morte». , Notizie sui collaboratori. Ferdinando Amigoni, Restoring the Aura. A few notes on Peter Handke in the« Photomatic». Giancarlo Alfano, The Indelible Image: Vision and Position in Andrea Zanzotto. Padovani Francesco, Anna Maria Ortese and the Concept of Antiquity. Daria Farafonova, «Diverse voci fanno dolci note». The “creatural polyphonyµ in Dante and Dostoevsky. Mario Barenghi, With Jahier, or WW1, The XXI Century’s Only Hygiene. Alessandra Farina, The «Capital City of the Seven Holes»: Morphology and Stylization of Fictional Space in Soldati’s «Le due città». Clelia Martignoni, The Scene of the «First Encounter». Reading Giovanni Fontana’s Study on Elsa Morante’s «Menzogna e sortilegio». Andrea Aveto, Nine letters from Giovanni Boine to Giuseppe Prezzolini. [continue...]
Details
€ 8,00
Cite