Claude Cazalé Bérard From Aleph's silence. Word and Listening in Claude Vigée's Work pp. 135-158, DOI: 10.1419/87005 Details € 8,00 Cite
Christian Genetelli A Hypothesis for 'Accelerato' by Eugenio Montale pp. 159-170, DOI: 10.1419/87006 Details € 8,00 Cite
Camilla Caporicci Montale and Shakespeare: Between Translation and Poetic Creation. The 'Frammenti' translated from A Midsummer Night's Dream pp. 171-192, DOI: 10.1419/87007 Details € 8,00 Cite
Emilia Di Rocco 'Du siehst, daß Ich ein Sucher bin'. In the Footsteps of Augustine: Rilke Reads the 'Confessions' pp. 193-214, DOI: 10.1419/87008 Details € 8,00 Cite
Mario Barenghi Outer Voices. Blunders and Silences in Lampedusa's 'The Leopard' pp. 215-236, DOI: 10.1419/87009 Details € 8,00 Cite
Serena Panaro On the Elaboration of 'Diario d'Algeria': some Remarks on Vittorio Sereni's Letters to Enrico Falqui pp. 237-252, DOI: 10.1419/87010 Details € 8,00 Cite
Federica Coluzzi Preaching and Teaching Dante for the Victorian Mass Public: Philip H.Wicksteed's Marginal Dantism pp. 253-278, DOI: 10.1419/87011 Details € 8,00 Cite
Paolo Euron The History of Italian and Western Ideas in the Teaching of Culture, Art and Literature pp. 279-298, DOI: 10.1419/87012 Details € 8,00 Cite
Publisher’s Ethics Il Mulino adopts and promotes specific guidelines (PEMS) about publishing ethics. Our ethics statements are based on COPE’s Best Practice Guidelines for Journal Editors.
Most downloaded articles (last 2 months) Francesco Venturi, Notes on Gadda’s Critical Essays: The Making of «I viaggi la morte». , Notizie sui collaboratori. Ferdinando Amigoni, Restoring the Aura. A few notes on Peter Handke in the« Photomatic». Giancarlo Alfano, The Indelible Image: Vision and Position in Andrea Zanzotto. Padovani Francesco, Anna Maria Ortese and the Concept of Antiquity. Daria Farafonova, «Diverse voci fanno dolci note». The “creatural polyphonyµ in Dante and Dostoevsky. Mario Barenghi, With Jahier, or WW1, The XXI Century’s Only Hygiene. Alessandra Farina, The «Capital City of the Seven Holes»: Morphology and Stylization of Fictional Space in Soldati’s «Le due città». Clelia Martignoni, The Scene of the «First Encounter». Reading Giovanni Fontana’s Study on Elsa Morante’s «Menzogna e sortilegio». Andrea Aveto, Nine letters from Giovanni Boine to Giuseppe Prezzolini. [continue...]
Details
€ 8,00
Cite