Bernard Papin Nicolas Le Floch, un bon produit "à l'export" ? Réflexions sur la diffusion et la réception internationale d'une série historique (très) française... pp. 15-24, DOI: 10.7372/73930 Details Cite
Paola Valentini Whodonit? Rai Tv Fiction Production Between Detection and Giallo pp. 25-38, DOI: 10.7372/73931 Details Cite
Gunhild Agger Nordic Noir on Television: The Killing I-III pp. 39-50, DOI: 10.7372/73932 Details Cite
Stéfany Boisvert La Notion de qualité télévisuelle dans la production finctionelle britannique pp. 51-60, DOI: 10.7372/73933 Details Cite
Lucia Tralli There's Nothing Like an English Summer, Is There? Except an English Winter. Downton Abbey, a British Cult Tv Series and Its Fandom pp. 61-72, DOI: 10.7372/73934 Details Cite
Sylwia Szostak Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama pp. 73-92, DOI: 10.7372/73935 Details Cite
Cem PekmanSelin Tüzün Turkish Television Dramas: The Economy and Beyond pp. 93-104, DOI: 10.7372/73936 Details Cite
Patricia DiegoMaria del Mar Grandío The Production of Tv Fiction Adaptations in Spain (1950-2012) pp. 105-118, DOI: 10.7372/73937 Details Cite
Miriam De Rosa Image, Space, and the Contemporary Filmic Experience pp. 119-130, DOI: 10.7372/73938 Details Cite
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Most downloaded articles (last 2 months) Simone Venturini, Introduction. Gunhild Agger, Nordic Noir on Television: The Killing I-III. Marie Frappat, Introduction. Giusy Pisano, Eppur si muove ! Le mouvement dessiné et photographié. Charles O'Brien, Camera Distance and Max Linder at Pathé-Frères. Cem Pekman, Selin Tüzün, Turkish Television Dramas: The Economy and Beyond. Philippe Fauvel, Le Château de Pointilly (1972) et Pointilly (2006) d?Adolfo Arrieta: un film réduit de moitié par son auteur trente-cinq ans après. Claudio Bisoni, CINEMA WITHIN THE AESTHETIC RELATION: FILM STUDIES AND GÉRARD GENETTE’S ART THEORY. Francesco Di Chiara, Intermediality in the 1950s Italian Film Industry: The Case of the Titanus’ Film-Canzone. Marco Grosoli, The Sin of Repetition. [continue...]
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