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Table of contents of the issue 2/2012, July-December
European TV Series

ISBN: 978-88-43-06462-5

Year: 12

Veronica Innocenti

Cinéma & Cie 2/2012 pp: 9-14 DOI: 10.7372/73929

Bernard Papin

Nicolas Le Floch, un bon produit "à l'export" ? Réflexions sur la diffusion et la réception internationale d'une série historique (très) française...

Cinéma & Cie 2/2012 pp: 15-24 DOI: 10.7372/73930

Paola Valentini

Whodonit? Rai Tv Fiction Production Between Detection and Giallo

Cinéma & Cie 2/2012 pp: 25-38 DOI: 10.7372/73931

Gunhild Agger

Nordic Noir on Television: The Killing I-III

Cinéma & Cie 2/2012 pp: 39-50 DOI: 10.7372/73932

Stéfany Boisvert

La Notion de qualité télévisuelle dans la production finctionelle britannique

Cinéma & Cie 2/2012 pp: 51-60 DOI: 10.7372/73933

Lucia Tralli

There's Nothing Like an English Summer, Is There? Except an English Winter. Downton Abbey, a British Cult Tv Series and Its Fandom

Cinéma & Cie 2/2012 pp: 61-72 DOI: 10.7372/73934

Sylwia Szostak

Imitation, Borrowing, Recycling. American Models and Polish Domestic Drama

Cinéma & Cie 2/2012 pp: 73-92 DOI: 10.7372/73935

Cem Pekman Selin Tüzün

Turkish Television Dramas: The Economy and Beyond

Cinéma & Cie 2/2012 pp: 93-104 DOI: 10.7372/73936

Patricia Diego Maria del Mar Grandío

The Production of Tv Fiction Adaptations in Spain (1950-2012)

Cinéma & Cie 2/2012 pp: 105-118 DOI: 10.7372/73937

New Studies

Miriam De Rosa

Image, Space, and the Contemporary Filmic Experience

Cinéma & Cie 2/2012 pp: 119-130 DOI: 10.7372/73938

Projects & Abstracts

Cinéma & Cie 2/2012 pp: 131-146 DOI: 10.7372/73939

Cinéma & Cie 2/2012 pp: 147-156 DOI: 10.7372/73940

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