Dudley Andrew Is Cinema Contagious? Transnationalism and the Case of Korea pp. 15-26, DOI: 10.7372/76052 Details Cite
Alexandra Schneider Traveling Styles: Or the Challenge of Approaching Commercial Hindi Cinema as World Cinema pp. 27-40, DOI: 10.7372/76053 Details Cite
Natalie Boehler De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema pp. 41-52, DOI: 10.7372/76054 Details Cite
Ilaria De Pascalis Transnational Subjects in a Multiple Europe: Auf der anderen Seite and Almanya: Willkommen in Deutschland pp. 53-64, DOI: 10.7372/76055 Details Cite
Angela Prysthon Peripheral Realisms: The Regional and Transnational Dynamic of Contemporary Brazilian Cinema pp. 65-76, DOI: 10.7372/76056 Details Cite
Valerio Coladonato Moving Pictures and People across the U.S.-Mexico Border: The Critical Reception of Sin nombre and The Three Burials of Melquiades Estrada pp. 77-86, DOI: 10.7372/76057 Details Cite
Jakob Nilsson Concept-Cognitive Mapping: Third Cinema as Cartography of Global Capitalism pp. 87-96, DOI: 10.7372/76058 Details Cite
Giorgio Avezzù The Rhetoric and Aesthetics of World Cinema: Film Studies as a Place for the "Persistence of Geography" in Contemporary Cinema pp. 97-108, DOI: 10.7372/76059 Details Cite
Delphine Wehrli Lukács, prècurseur d'une esthétique géopolitique? Le concept de totalité au service du cinéma postcolonial pp. 109-120, DOI: 10.7372/76060 Details Cite
Cosetta G. Saba Extended Cinema: The Performative Power of Cinema in installation Practices pp. 123-140, DOI: 10.7372/76061 Details Cite
Luca Taddio The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema pp. 141-150, DOI: 10.7372/76062 Details Cite
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