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Table of contents of the issue 1/2013, January-June
The Geopolitics of Cinema and the Study of Film

ISBN: 978-88-43-06857-9

Year: 13

Tim Bergfelder

Cinéma & Cie 1/2013 pp: 11-14 DOI: 10.7372/76051

Dudley Andrew

Is Cinema Contagious? Transnationalism and the Case of Korea

Cinéma & Cie 1/2013 pp: 15-26 DOI: 10.7372/76052

Alexandra Schneider

Traveling Styles: Or the Challenge of Approaching Commercial Hindi Cinema as World Cinema

Cinéma & Cie 1/2013 pp: 27-40 DOI: 10.7372/76053

Natalie Boehler

De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema

Cinéma & Cie 1/2013 pp: 41-52 DOI: 10.7372/76054

Ilaria De Pascalis

Transnational Subjects in a Multiple Europe: Auf der anderen Seite and Almanya: Willkommen in Deutschland

Cinéma & Cie 1/2013 pp: 53-64 DOI: 10.7372/76055

Angela Prysthon

Peripheral Realisms: The Regional and Transnational Dynamic of Contemporary Brazilian Cinema

Cinéma & Cie 1/2013 pp: 65-76 DOI: 10.7372/76056

Valerio Coladonato

Moving Pictures and People across the U.S.-Mexico Border: The Critical Reception of Sin nombre and The Three Burials of Melquiades Estrada

Cinéma & Cie 1/2013 pp: 77-86 DOI: 10.7372/76057

Jakob Nilsson

Concept-Cognitive Mapping: Third Cinema as Cartography of Global Capitalism

Cinéma & Cie 1/2013 pp: 87-96 DOI: 10.7372/76058

Giorgio Avezzù

The Rhetoric and Aesthetics of World Cinema: Film Studies as a Place for the "Persistence of Geography" in Contemporary Cinema

Cinéma & Cie 1/2013 pp: 97-108 DOI: 10.7372/76059

Delphine Wehrli

Lukács, prècurseur d'une esthétique géopolitique? Le concept de totalité au service du cinéma postcolonial

Cinéma & Cie 1/2013 pp: 109-120 DOI: 10.7372/76060

New Studies

Cosetta G. Saba

Extended Cinema: The Performative Power of Cinema in installation Practices

Cinéma & Cie 1/2013 pp: 123-140 DOI: 10.7372/76061

Luca Taddio

The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema

Cinéma & Cie 1/2013 pp: 141-150 DOI: 10.7372/76062

Projects and Abstracts

Cinéma & Cie 1/2013 pp: 151-158 DOI: 10.7372/76063

Cinéma & Cie 1/2013 pp: 159-166 DOI: 10.7372/76064

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