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Table of contents of the issue 2/2021, July-December
New Perspectives in Irish Theatre

ISBN: 978-88-29-00903-9

Year: 11

Chiara Sciarrino

Introduction: New Perspectives in Irish Theatre

InVerbis 2/2021 pp: 9-11 DOI: 10.7368/103022

Dermot Bolger

Making Things Happen

InVerbis 2/2021 pp: 13-20 DOI: 10.7368/103023

Marina Carr

Cygnum Canticum

InVerbis 2/2021 pp: 21-23 DOI: 10.7368/103024

Eamonn Jordan

Capital and Class in Irish Theatre: A Twenty-First Century Critical Snapshot

InVerbis 2/2021 pp: 25-50 DOI: 10.7368/103025

Richards Shaun

From the Stage of the Abbey to the Streets of the Monto: The Development of "Immersive" Theatre in Ireland

InVerbis 2/2021 pp: 51-64 DOI: 10.7368/103026

Chiara Sciarrino

"I Cannot Place You": Dementia and the Pandemic Experience in The Visiting Hour by Frank McGuinness

InVerbis 2/2021 pp: 65-74 DOI: 10.7368/103027

Giuliana Bendelli

Recent Trends in Irish Theatre. Irish Drama Revisiting Classics

InVerbis 2/2021 pp: 75-92 DOI: 10.7368/103028

Nicholas Grene

Hibernicizing the Russians

InVerbis 2/2021 pp: 93-105 DOI: 10.7368/103029

Ashley Taggart

"The State of Us": Wars of Partition in Beckett’s Endgame

InVerbis 2/2021 pp: 107-121 DOI: 10.7368/103030

Monica Randaccio

Conor Mcpherson’s The Weir into Italian as Intertextual Translation

InVerbis 2/2021 pp: 123-142 DOI: 10.7368/103031

Studi/Articles

Alessio Collura

Kings and Werewolves: The Lay of Bisclavret and Other Examples from Old French Literature

InVerbis 2/2021 pp: 145-158 DOI: 10.7368/103032

Iman Galal

37 Years of Arabic Songs at Zecchino d’oro. Sociolinguistic Reflections

InVerbis 2/2021 pp: 159-184 DOI: 10.7368/103033

Rosario Pollicino

Testimonial Literature and Trauma: The Case of Grazia Arnese and the 13,000 Italian-Libyan Children

InVerbis 2/2021 pp: 185-197 DOI: 10.7368/103034

InVerbis 2/2021 pp: 199-214 DOI: 10.7368/103035

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