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Table of contents of the issue 1/2019, January-June

ISBN: 978-88-15-28173-9

Year: 5

Forme, stili, figure / patterns, styles, figures

Barbara Corsi

Politicians Who Like Women, and Right-wing Ideology: How Giacinto Puppis Helped Create a New Type of Politician

L'avventura 1/2019 pp: 3-18 DOI: 10.17397/93877

Faye McIntyre

The Romantic Risks of the Ruse: Federico Fellini's Il bidone (1955)

L'avventura 1/2019 pp: 19-34 DOI: 10.17397/93878

Spettatori / spectatorship

Massimiliano Gaudiosi

Cantate con noi: canzoni, pubblico e censura nel filone napoletano

L'avventura 1/2019 pp: 35-48 DOI: 10.17397/93879

Archivio / archive

Denis Lotti

Silent Memories. Egodocuments as Sources for Early Italian Cinema History

L'avventura 1/2019 pp: 49-64 DOI: 10.17397/93880

Differenze / differences

Deborah Toschi

Femininity and Macabre Trucage in Italian Gothic Horror, between Anatomical Waxes and Memento Mori

L'avventura 1/2019 pp: 65-78 DOI: 10.17397/93881

Lauren De Camilla

Contemporary Italian Horror Cinema: Female Directors and Framing the Maternal

L'avventura 1/2019 pp: 79-92 DOI: 10.17397/93882

Racconto contemporaneo / contemporary tale

Luciano Nigro

Red Harvest: The Movie of a Lifetime that Bernardo Bertolucci Never Made

L'avventura 1/2019 pp: 93-106 DOI: 10.17397/93883

Luciano Nigro

«Volevo un film politico negli Usa». Conversazione con Bernardo Bertolucci

L'avventura 1/2019 pp: 107-114 DOI: 10.17397/93884

Antonella De Blasio Marco Teti

Naples «It's Me and You». The Construction and Distribution of the Liberato Music Brand through the Videoclips of Francesco Lettieri

L'avventura 1/2019 pp: 115-130 DOI: 10.17397/93885

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