Pier Vincenzo Mengaldo Notes on a Modern Motif: the Loneliness of the Powerful pp. 353-362, DOI: 10.1419/95272 Details Buy Cite
Dario Calimani The Discord of Harmony. Music and Deceit in ‘The Merchant of Venice’ pp. 363-388, DOI: 10.1419/95273 Details Buy Cite
Rossano Pestarino «the praise of gods and heroes». The Sublime Praise of Heroines in the Opening Section of «Part Two» of Torquato Tasso’s ‘Rime’ pp. 389-412, DOI: 10.1419/95274 Details Buy Cite
Stefano Lazzarin From the Topos ‘Ordinary v. Supernatural’ to the Literary Myth of Paris pp. 413-438, DOI: 10.1419/95275 Details Buy Cite
Giovanni Maccari Landolfi, the Fantastic and Russian Writers pp. 439-460, DOI: 10.1419/95276 Details Buy Cite
Guido Lucchini One Letter by Benvenuto Terracini about Religious Education (1923) pp. 461-468, DOI: 10.1419/95277 Details Buy Cite
Nadia Ebani ‘Il fringuello cieco’. From St. Thomas to St. John, from Aristophanes to Dante pp. 469-478, DOI: 10.1419/95278 Details Buy Cite
Giacomo Berchi On ‘celeste confine’: A Variant of ‘L’Infinito’ by Giacomo Leopardi, its Possible Source and Implications pp. 479-498, DOI: 10.1419/95279 Details Buy Cite
Claudio Mariotti Gabriele d’Annunzio, Alcyone, edizione critica a cura di Pietro Gibellini pp. 499-501, DOI: 10.1419/95280 Details Buy Cite
Matteo Maselli Ferdinando Amigoni, L’ombra della scrittura. Racconti fotografici e visionari pp. 502-505, DOI: 10.1419/95281 Details Buy Cite
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