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Table of contents of the issue 2/2017, May-August
Stages of Embodiment in Postcolonial Theatre (edited by Serena Guarracino and Tiziana Morosetti

ISBN: 978-88-43-08718-1

Year: XXX

Serena Guarracino Tiziana Morosetti

Introduction. Postcolonial Embodiments in Contemporary Performance

Textus 2/2017 pp: 7-26 DOI: 10.7370/87677

Giuseppe Sofo

"The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina

Textus 2/2017 pp: 27-50 DOI: 10.7370/87678

Indranil Banerjee Shouvik Banerjee

"The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities

Textus 2/2017 pp: 51-66 DOI: 10.7370/87679

Giovanna Buonanno

Black British Women's Theatre in the 1980s and the Politics of Representation

Textus 2/2017 pp: 67-82 DOI: 10.7370/87680

Paola Della Valle

Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays

Textus 2/2017 pp: 83-104 DOI: 10.7370/87681

Olakunbi Olasope

Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu

Textus 2/2017 pp: 105-120 DOI: 10.7370/87682

Gioia Angeletti

Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy

Textus 2/2017 pp: 121-140 DOI: 10.7370/87683

Annalisa Piccirillo

Embodying Otherness: Nelisiwe Xaba's Fremde Tänze

Textus 2/2017 pp: 141-159 DOI: 10.7370/87684

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