Domenico Lovascio Introduction. Ancient Rome and English Renaissance Drama pp. 9-20, DOI: 10.7370/86639 Details Cite
Julia Griffin Cato's Daughter, Brutus's Wife: Portia Agonistes pp. 21-40, DOI: 10.7370/86640 Details Cite
Cristiano Ragni Dido in Oxford. William Gager's Ovidian Play in Elizabethan England pp. 41-62, DOI: 10.7370/86641 Details Cite
Alisa Manninen Speech and Spectacle as Political Participation for Shakespeare's Roman Women pp. 63-82, DOI: 10.7370/86642 Details Cite
Camilla Caporicci "Gods and goddesses - All the whole synod of them!": Shakespeare's References to the Gods in Antony and Cleopatra pp. 83-102, DOI: 10.7370/86643 Details Cite
Lisa HopkinsSharon McDonnel Romish poison: Claudius Tiberius Nero pp. 103-122, DOI: 10.7370/86644 Details Cite
Tommaso Continisio "No matter: let his mangled body lie". Emblematising Ambivalence in Thomas Heywood's The Rape of Lucrece pp. 123-142, DOI: 10.7370/86645 Details Cite
Kibrina Davey To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan pp. 143-162, DOI: 10.7370/86646 Details Cite
Cristina Paravano Glimpses of Rome in the Theatre of Richard Brome pp. 163-184, DOI: 10.7370/86647 Details Cite
Domenico Lovascio Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher's Fuimus Troes pp. 185-212, DOI: 10.7370/86648 Details Cite
Maddalena Pennacchia Performance Review. Della rovina, di tempo e di bellezza. Shakespeare e il destino di Roma, a Palladium Theatre Production (2016) pp. 213-218, DOI: 10.7370/86649 Details Cite
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