Andrea Gatti Meaningful Images and Morphological Analoga DOI: 10.14648/97113 Availability: 22/06/2020 Details
Maddalena BorsatoNicola Perullo Toward an Aesthetic Genealogy of Sweetness: First Elements DOI: 10.14648/97114 Availability: 22/06/2020 Details
Salvatore Tedesco Exclusion, Word, Silence: Mariella Mehr pp. 353-366, DOI: 10.14648/95482 Details € 8,00 Cite
Ambra Carta «Writing is a Transmission». The Word and the Abyss in Primo Levi pp. 367-380, DOI: 10.14648/95483 Details € 8,00 Cite
Francesco Camera «Gedicht und Gespräch». Paul Celan’s Dialogue with Nelly Sachs and Margarete Susman pp. 381-398, DOI: 10.14648/95484 Details € 8,00 Cite
Rosaria Caldarone Desire as a Place of Witness. Reading Paul Celan pp. 399-408, DOI: 10.14648/95485 Details € 8,00 Cite
Filippo Fimiani If This is White Noise. Language, Memory, Testimony pp. 409-422, DOI: 10.14648/95486 Details € 8,00 Cite
Marcia Sá Cavalcante Schuback Nelly Sachs’ Chorus Poetics pp. 423-440, DOI: 10.14648/95487 Details € 8,00 Cite
Leonardo Samonà The Exile of Witness in Paul Celan pp. 441-456, DOI: 10.14648/95488 Details € 8,00 Cite
Giovanni Lombardo The σπουδαιογέλοιον and the Art of serio ludere in Classical Anti pp. 457-476, DOI: 10.14648/95489 Details € 8,00 Cite
Eleonora Caramelli The Greatest Fear. Hegel, Macbeth and the Bondsman: Literature in Philosophy pp. 477-502, DOI: 10.14648/95490 Details € 8,00 Cite
Elisabetta Mengaldo «Gay Science» and «Sad Science». Nietzsche’s and Adorno’s Short Prose Form pp. 503-520, DOI: 10.14648/95491 Details € 8,00 Cite
Luca Taddio The Measure of Living: Observations on the Aesthetics of Wittgenstein pp. 521-538, DOI: 10.14648/95492 Details € 8,00 Cite
Alice Giannitrapani Don’t Skip Intro. Sigle da non perdere pp. 539-564, DOI: 10.14648/95493 Details € 8,00 Cite
Camilla Robuschi Aesthetic as Modeling System: The Biosemiotic Perspective pp. 565-584, DOI: 10.14648/95494 Details € 8,00 Cite
Claire Fontaine Towards a Theory of Magic Materialism pp. 585-590, DOI: 10.14648/95495 Details € 8,00 Cite
Massimo Donà The Art and the Negation of the Absolute. Andrea Emo: an Extreme Philosophy pp. 617-646, DOI: 10.14648/95497 Details € 8,00 Cite
Marco Bruni The «Perfect Knowledge» of Art. Andrea Emo and the Aesthetic Liberation pp. 647-658, DOI: 10.14648/95498 Details € 8,00 Cite
Federico Croci Imaginative Eurythmics. Iconoduly and Iconoclasm by Andrea Emo pp. 659-668, DOI: 10.14648/95499 Details € 8,00 Cite
Francesco Valagussa Andrea Emo and the Tautology of Presence. Consciousness, Actuality and Transcendence pp. 669-680, DOI: 10.14648/95500 Details € 8,00 Cite
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