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Table of contents of the issue 1/2024, January-December

HYBRID ACCESS

ISBN: 978-88-15-02868-6

Year: 14

Saggi

Priscilla Santoro

Images, symbols, allegories. Bestiaries between Dante and Petrarch

Scaffale aperto 1/2024 pp: 7-23 DOI: 10.14651/114740

Matteo Petriccione

Visionary genre and memory in Petrarch’s Triumphi

Scaffale aperto 1/2024 pp: 23-40 DOI: 10.14651/114741

OPEN ACCESS

Thomas Persico

The presence of Petrarca in the Angelican codex 2274: Maestro Antonio di Guido and the Canzone alla Vergine (Rvf, 366)

Scaffale aperto 1/2024 pp: 41-54 DOI: 10.14651/114742

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Chiara De Cesare

Preparatory studies for a critical edition of Alamanni’s Elegie

Scaffale aperto 1/2024 pp: 55-78 DOI: 10.14651/114743

Roberta Fois

On the life of Giuseppe Betussi. Notes on two autograph letters

Scaffale aperto 1/2024 pp: 79-92 DOI: 10.14651/114744

Note e discussioni

Veronica Albi

Culture at the court of Robert of Anjou. A few remarks on the last issue of "Micrologus"

Scaffale aperto 1/2024 pp: 93-108 DOI: 10.14651/114745

Lucia Battistel

The concept of ‘limit’ as mors, laqueus and modus: The Ecclesiastes’ echo in Petrarch’s Secretum

Scaffale aperto 1/2024 pp: 109-120 DOI: 10.14651/114746

Anna Gilda Scafaro

For the critical edition of Jacopo Sanguinacci’s Rhymes: Consistency and characteristics of a corpus of extravagant rhymres

Scaffale aperto 1/2024 pp: 121-136 DOI: 10.14651/114747

Diego D'Elia

On an ancient chess proverb

Scaffale aperto 1/2024 pp: 137-144 DOI: 10.14651/114748

Agnese Amaduri

The lone man and the “crime that paysµ in Leonardo Sciascia’s Il cavaliere e la morte

Scaffale aperto 1/2024 pp: 145-152 DOI: 10.14651/114749

Alessandro Carlomusto

«E l’universo è inutile». Literary memories in Baustelle’s song A vita bassa

Scaffale aperto 1/2024 pp: 153-170 DOI: 10.14651/114750

Scaffale aperto 1/2024 pp: 171-181 DOI: 10.14651/114751

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