Table of contents of the issue 1/2/2020, january-december
Saggi
“Chiosarµ Le dolci rime through Horace and Boethius
The memory of Filostrato and Teseida in Orlando furioso: The proemium and the beginning of the narration
Maruzza and the others: a new ethic in Verga’s Malavoglia
“The Torture of a wound that doesn’t healµ. Extent and limits of Croce’s influence on Giorgio Bassani
Archivio
Note e discussioni
Painting chaos: Scientific and visual references in Paolo Volponi’s «Passare la spugna»
“Sfrondareµ and “addensareµ: notes on the drafts of «Partiranno» from the papers of the Luce d’Eramo archive
The issue on Saussurean sign among the Scuola linguistica romana
Two items for a Bibliography of Benedetto Croce
The Land of Unhappy Brides (from M. Desiati’s novel to the film of P. Mezzapesa). Tales from Puglia Tarantina of the s
Atti del Convegno Spazi urbani e cartografie romanzesche
Space and literature: Ancient and modern methodological sensibilities
Urban space and modernity. Early twentieth century visions and utopias
Between biography and mythography: Pirandello’s anti-d’Annunzio style Rome
Strolling in Aldo Palazzeschi’s Rome: from via di Monserrato to the Aracoeli
The kasbah-city of Goliarda-Jean Gabin
Through the streets of Rome
Recreated Spaces: dispatrio as anamorphic literary memory in Luigi Meneghello
Traces of Empire. Memory and narration in postcolonial Rome
The spatial turn “challengesµ the narrative turn in order to create a cartography based on the novel La strada per Roma
Worldly Capri, accomplice of seductions: L’isola dei baci. Romanzo erotico-sociale
Places, backgrounds, postcards: contrasting spaces of hypermodernity
La città effimera. Expressionist suggestions in a memory of the Great War
Notes from the lagoon. Venice in Lavinia fuggita by Anna Banti
Disenchantment in Ortesian cities
«Il mondo davanti agli occhi e non soltanto in cuore». Pasolini and the urban spaces
Ricordi
Recensioni
F. Orlando, Il soprannaturale letterario. Storia, logica e forme (Alessandro Giarrettino), p. 361; A. Virone, “Tante cose da dire e da scrivereµ. Alba de Céspedes e il laboratorio creativo di «Prima e dopo» (1955) (Assunta Vitale), p. 367; S. Lazzarin, F.I. Beneduce, E. Conti, F. Foni, R. Fresu, C. Zudini, Il fantastico italiano. Bilancio critico e bibliografia commentata (dal 1980 a oggi) (Fiammetta Cirilli), p. 369
P. Nitti, Didattica dell’italiano L2. Dall’alfabetizzazione allo sviluppo della competenza testuale (Micaela Grosso), p. 371
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